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His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.Musicians and critics vary in their appraisal of Tristano as a musician.Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.
The sextet struggled to find enough work, but did play at Birdland's opening night "A Journey Through Jazz", a subsequent five-week engagement at that club, and at various other venues in the north-east of the US late in 1949.
It was a musical portrayal of Edgar Allan Poe's story of the same title, and was an improvised solo piano piece that used multitracking and had no preconceived harmonic structure, being based instead on the development of motifs.
For "Line Up" and "East 32nd", Tristano's "use of chromatic harmony [...] secures him a position of a pioneer in expanding the harmonic vocabulary of jazz improvisation", in biographer Eunmi Shim's words.
He gave fewer concerts than earlier, but in 1958 he had the first of what were sometimes lengthy engagements at New York's Half Note Club, after the owners persuaded him to perform, in part by replacing their club's Steinway piano with a new Bechstein of Tristano's choosing.
Leonard Joseph "Lennie" Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.